https://youtu.be/HmhmfPOqMwg On the 29th episode of The Bald Head-N-The Dread Podcast, we held a HEAVY groundings with reggae artist, political activist, painter, environmentalist and actor Kiddus I. In this reasoning Kiddus I speaks about Rasta ...
Groundings With Macka B.H.N.T.D Ep. 27
On the 27th episode of The Bald Head-N-The Dread Podcast, we held a HEAVY groundings with lyricist and activist Macka B. In this reasoning, Macka B speaks about the growth of Rastafari and the Sound System Culture in the UK. Macka B also explains why he practices a plant based diet, speaks on social issues, and much more.
Groundings With Nesbeth B.H.N.T.D Ep. 26
On the 26th episode of The Bald Head-N-The Dread Podcast, we held a powerful groundings with reggae star Nesbeth. In this reasoning, Nesbeth speaks about the mental and emotional effects of growing up in an impoverished area and the inner-city politics in Jamaica. Nesbeth also speaks about the importance having a purpose and believing in yourself.
Groundings With Dr. Andre Haughton B.H.N.T.D Ep. 24
By Autarchii | January 26th, 2021 The mind of Andre Haughton goes way beyond that of the typical Jamaican citizen. At first glance, his title as an Economist and Politician may sound standard from a professional perspective, but his viewpoints and ...
Bushman|B.H.N.T.D Ep. 19
On the 19th episode of The-BaldHead-N-The-Dread Podcast, Autarchii and Jr hold a powerful groundings with reggae legend Bushman. In this reasoning Bushman shares untold stories about his career and his life. Bushman also speaks on the pandemic social med ...
Are Reggae Artist Hurting the Image of Rastafari ? | B.H.N.T.D Ep. 17
On the 17th episode of The-BaldHead-N-The-Dread Podcast, Autarchii and Jr discuss the question ' Are Reggae Artist Hurting the Image of Rastafari' ? https://youtu.be/UNXFx6mSIA8
Mutabaruka | The Rastafari Barefoot African Teacher
Mutabaruka is an instrumental figurehead to African people at large, as he defies the odds at all cost and wants nothing to do with the status quo that was set in place by the oppressors. In Jamaica, Muta has one of the longest running programs on Radio, The Cutting Edge, which he uses as a propaganda machine for Rastafari. The ordinary individual caught in the schematics of the systems would hear the term “University” and think of a physical location that offers formal education on a tertiary level, but to the majority of black revolutionaries the Cutting Edge is seen as a university that goes way beyond formal education. Currently Muta is working on a new media outlet called the ‘Ra.ss Internet’, which is defined as the multiplication of the sun, and is one that will connect Africans all over the world.
Genius of Super Cat | Andy Bassford | B.H.N.T.D Ep. 8
On the 8th episode of The-Bald-Head-N-The-Dread Podcast, we sat with the iconic guitarist Andy Bassford, to not only discuss Supercat’s prestigious career but moreover his intelligence and genius. Supercat is easily misjudged and oftentimes not what many expect him to be. His “rudebwoy” image is usually the focal point of many conversations, which at times take away from his incessant contributions to the music, both the artform of modern Dancehall as well as the international appeal of Reggae.
Catholic School That Produced Reggae Legends | Johnny Osbourne Interview
https://www.youtube.com/watch?v=zK9F3h2CQTY Please enjoy reasoning with reggae legend Johnny Osbourne speaking about growing up in a Pocomania Church and his experiences at Alpha Boys School.
REGGAE’S BLUES | Jamaica’s Abandonment of Its Indigenous Art Form
Do you know the current top ten selling reggae records in the U.S.? Well, just as I requested earlier, take a few moments and go online to find out what they are. Sure, there are reggae legends like Steel Pulse and Marcia Griffiths who are still going strong, and there are newer artists like Koffee who are making their mark. But, again, much like the blues chart, something else is going on. You have a number of musicians listed on the chart who are not from Trench Town (the birthplace of reggae music), not from Jamaica, not from the West Indies—they’re not even Black—and yet they are slowly becoming the face(s) of reggae music.